The Mintoaur so far. This is the bottom section of the piece 16" x 11"--The layers are described below.
These birds will be the top section of the window.
Here's this bull again. This is sandblasted (the silhouette--lightly blasted--no detail, nothing fancy) engraved with a flexible shaft (Foredom) and filed with Starlite files. The glass is Lambert's 1006 Bl/cl B.
These birds will be the top section of the window.
Here's this bull again. This is sandblasted (the silhouette--lightly blasted--no detail, nothing fancy) engraved with a flexible shaft (Foredom) and filed with Starlite files. The glass is Lambert's 1006 Bl/cl B.
I hesitate to show this image--but I think its interesting to note that glass, being transparent and all, the layer of the man and the bull can relate to each other in four different orientations. I chose the top one..but...wasn't pleased with the colors or contrasts. This image is not made with the man layer I used in the final but the one above. I wanted something more subtle and more blue. Also, this man isn't as sensitively done as I would like in terms of the shape.
This maze was made with a photo stencil on Lambert's 1001/R/CL A. Light sandblasting to negative space only.
After much experimentation, all in my bulk failure box now, I decided on this outline of a man. This is 1/8" (double strength) float glass. Hand cut contact paper stencil with light sandblasting. I rubbed a mix of Hancock's Red For Felsh mixed with Stencil Black 1059 Reusche paint into the frosty areas and fired it at 1213 degrees F. THEN I rubbed some transparent red oil paint into that area to pump up the color from a dull brown to reddish.